Mon premier blog

On Record: Rock, Pop and the Written Word Simon Frith
Publisher:

When reading Frith's 'On Record: Rock, Pop and the Written Word' he centers a lot of his points around the symbolic annihilation of women (as Tuchman theorised) in the world of Rock. In: Frith, S and Goodwin, A On Record, Rock, Pop, & The Written Word. (780415053068) …Goodwin, both writers and teachers of popular music, have compiled the first comprehensive survey of critical approaches to pop music. Horkheimer (1977): The Culture Industry: enlightenment as mass deception. In: Simon Frith & Andrew Goodwin (ed), On Record: Rock, Pop & the Written Word. Sandner, Wolfgang: Sound & Equipment, in: Wolfgang Sandner (Hrsg.): Rockmusik – Aspekte zur Geschichte, Ästhetik, Produktion; Mainz 1977. On Record: Rock, Pop and the Written Word. Frith, Simon/Goodwin: On Record – Rock, Pop and the Written Word; New York 1990. How can we account for the persistent appeal of glossy commercial pop music? On.Record.Rock.Pop.and.the.Written.Word.pdf. Why do certain performers have such emotional power, even though their music is considered vulgar or second rate? Goodwin (eds.): On Record: rock, pop, and the written word (London: Routledge) 4. On Popular Music, The Musical Material, The Two Spheres Of Music.